The Next BIG Thing

"A hero knows it takes hard work and a long time to get published; a fool thinks it should happen immediately, because he thinks he's a hero already.

A hero learns the craft; a fool doesn't think there's much to learn.

A hero keeps growing all his writing life; a fool thinks he's fully grown already.

A hero fights to make his writing worthy, even when no one's noticing; a fool demands to be noticed all the time, even if his writing stinks.

A hero is persistent and a professional; a fool is insistent and annoying.

A hero gets knocked down and quietly regroups to write again; a fool gets knocked down and whines about it ever after.

A hero makes his luck; a fool cries about how unlucky he is.

A hero recognizes the worth in others; a fool can't believe others are worth more than he.

A hero keeps writing, no matter what, knowing effort is its own reward; a fool eventually quits and complains that the world is unfair.

Be a hero." -James Scott Bell, The Art of War for Writers

Gilmore Girls

NaNoWriMo is upon us. For many that means plucking away with a group of like-minded individuals, in whatever space of time we can manage to free up to hit that 50,000 word goal. Many published novels have come from NaNo origins. The Night Circus by Erin Morgenstern for one. I don't know about you, but when I go into NaNo, I wonder just what I'll write. I'm not a plotter, so most of the writing I do during NaNo is pantsing. I enjoy envisioning a character and letting the words fly. Is it harder to clean up the words afterward? Sometimes. But at least the words are down.

Recently, I've heard a lot of discouraging chatter from one of my writers groups. Some wonder how the effort will ever be worth it if they don't come out the next big thing. THE NEXT BIG THING. They want to be the next JK Rowling, the next Stephenie Meyer, the next Stephen King. That's the only goal that they can see.

They won't be The Next Big Thing. I won't be The Next Big Thing.

Okay, never say never. They could. I could. It's always a possibility. The problem with their kind of thinking is that it's discouraging. Big Things happen because they were at the right place in the market at the right time in the market with the right agent and editor. Do you realize how many stars have to align for something like that to happen?

Lindsey Stirling, Stars Align

My son is nine years old, and the oldest. He was born 5 weeks early and was only 3lbs 3oz. I had to have an emergency c-section because I would have contractions and sleep through them, but his heart rate would drop from 160 to 90 every time. We were blessed. He didn't have any health problems other than needing a feeding tube for several weeks. He is small. He will be small until that one growth spurt hits and he shoots up to the stars. The other day I caught him and his 6-year-old sister trying to see who was taller with the help of their 5-year-old sister.

The inevitable happened. His sister has grown taller than he is. We knew this would happen. His pediatrician informed us the first time he saw our 3lb bundle of joy. Preemies struggle to catch up sometimes and one day he will shoot up. The Dr. has seen it happen a million times. Both of his sister's were born at 6 lbs 13 oz and 6lbs 8oz. They had a better chance of being bigger faster than he did. My son was upset. Why is his sister taller than he is? Why is she stronger than he is? I sat him down. I asked him what he thought the world would be like if everyone were the same height and strength? He said everyone would be like daddy. I asked him what he could do that his sister couldn't. He told me that he could build portals in Minecraft (yes, our world currently revolves around Minecraft).

So, I put things in Minecraft terms. I asked him,  "What if no one could build portals? What if they could only build houses?"

He thought on this for a few minutes. I don't know the importance of portals in Minecraft, I've never played, but this seemed to be a big deal to him. He replied, "That would be boring. No one would be able to create anything."

I told him to continue to be a creator. Height and strength would come later, but creativity could never be replaced. He's since taken to drawing and creating more things on Minecraft. Apparently kissing cats creates babies. Who knew.

There will never be another writer like you. Stop trying to be The Next Big Thing. Focus on your writing, your style. Read what you love, write what you love and do your best to learn and grow. Learn from those authors you adore. Cultivate a career. Suzanne Collins had published the Underland Chronicles before The Hunger Games came out. Not every book your write is going to be a Big Thing. But every book you write could be a career. Continue to write because every time you do, your skills improve.

Be a squire struggling to prove himself a knight.

Heath Ledger, A Knight's Tale

Run with velociraptors.

Jurassic World

Be a hobbit struggling to make their way to Mount Doom. Be you. No one will ever know the formula for a Big Thing. No one can predict what will take off and earn millions. It isn't possible. But you can focus your energy on writing the best novel you possibly can. And who knows. Maybe the stars will align.

Galadriel, The Lord of the Rings

    

A Career In Books?

An editor in New York recently said to me, "This is one of the last true apprenticeship fields." Although she meant it as just an interesting aside, the more I thought about it, the more I realized this is both a problem and an unfortunate truth in writing and publishing.

If you're like me, as many in our field are, you spent your childhood with your nose in a book. Late nights under the covers with a flashlight, sitting on the sidewalk while others did sports, and hours at the local library are the bright, shiny, happy spots in your memory.

Books, books, books. Must read all the books.

Sadly for me, as I got older, reading became less an obsession and more of a hobby. My English class in high school was uninspiring, and few of my peers read like I did. I was from a small town and a child of poverty, so although I had dabbled in writing here and there, there was no concept of being a writer for a living. I was privileged enough to go to college, but there was no way I would waste that opportunity on an English major. I didn't know taking a literature class was an option, let alone having a career in books. (This belief prevails. Check out this Slate article: Major Exodus: How do post-recession English departments attract students to a field losing popularity?) Thus I got my B.S. and reading was further pushed into the "something I only do for fun," area of my life.

What am I doing with my life?

Ironically, it was my career in biology that reunited me with my love of books. As a field biologist I got to witness many of the amazing creatures nature has to offer. That being said, I was also twiddling my thumbs, a lot. You do quite a bit of "observing" in the field, which means waiting and watching for something to happen. That's when the ideas for a novel started crowding my brain. I spent my nights tapping away at the computer, and it rekindled the love and obsession I had as a child. One year later, ta-da! My first complete novel.

Ta da! I will be a famous novelist!

I was going to make a living as a writer! This was what I should have being doing all along! Of course as anyone in the publishing world will tell you, it wasn't ready. But I didn't know that. It took 100+ rejections, a MFA in Creative Writing, self-publishing my next novel, and a 2-year unpaid internship at a literary agency for me to understand, six years later, what "ready" meant.

What makes you think your book is special?

All of that experience was my apprenticeship, and it opened my eyes to the world of publishing as a potential career. If you love books, despite what people tell you, teaching English or starving writer are not the only career options. The book industry world needs managing editors, literary agents, book-marketing gurus, book buyers, bookstores, designers, proofreaders, copy editors, ghost writers, book reviewers, writing conference leaders, distributors, publishers, the list goes on.

I only wish someone had pointed this out to the little girl with her nose in a book. I would have started earlier, done the unpaid internship in college, taken the courses in writing/literature, begun my career path sooner, so that the struggle would have been at the age it should have been. The MFA programs are equally as guilty, many of them focus on writing as art, scorning the "commercial" world, which is where most people in the book business make a living.

You write commercial fiction?

Many others who work in the book industry have a similar story to mine. They fell into it later in life, and realized they were in love, but it took some time to get to a moderately successful career and there were many financial sacrifices along the way. And still others don't make it that far. The path to publishing is littered with ex-editors who couldn't survive on such low salaries, ex-literary agents who didn't have financial support in those first few penniless years, ex-interns who had to get a paying job and more.

Why can't being an author and working within the book industry be a viable career path for everyone? Why can't more universities offer programs like Columbia's Publishing Course? Why are we expected to toil away at un-paid/low-wage apprenticeships just to get our foot in the door? Why is it that there is not a career path for novelists the way there are for so many other jobs? Why is there so little money in such an important field? And why is most of it concentrated in NYC, one of the most expensive cities to live in the world?

I don't have to put up with this, do I?

It was luck and privilege that I was able to follow my dream career at an older age, which included a partner willing and able to support me and an educated mother who taught me to love to read. People say that publishing/writing is a career for trust-fund kids and retirees. This is not true, but it is definitely an uphill battle if you don't have those advantages. One of the biggest reasons for this is a lack of information/opportunity available to those with less means. There are not many options for the not-so-privileged, the need-to-work-for-a-living, and the few paths to work in books that are viable for us are buried under negative stereotypes of post-English-major lifestyles.

Hey there. I work with books!

Books are considered a luxury commodity, even though reading and writing have proven again and again to be a crucial aspect of human nature. See the Guardian's Reading Fiction "Improves" Empathy Study Finds, or the New York Times's Writing Your Way to Happiness or NPR's How Orwell's 'Animal Farm' Led a Radical Muslim to Moderation.

Yes, you can work with books.
(And maybe the next doctor will be a POC. Maybe.)

The world needs more (and diverse) people working in books, but how will that happen with the current lack of support in the education system and society in general?