Showing posts with label creating characters. Show all posts
Showing posts with label creating characters. Show all posts

Monday, September 28, 2015

What's Your Sign? Character Development

Creating characters is hard. Sometimes it can be difficult to create a realistic personality. Characters can be based off of real life people, or ones from TV or movies, but how can you dig deeper? How can you give them more life?





My literary agent recommended I look into astrology. That requires extra work, but in the end I found it to be worth it. I had to ask myself some questions I didn't consider. What month was the character born? What day? Which sign do they fall under? Astrological signs have been used for centuries to determine personality traits.


With the above chart, found here, you can determine different behaviors for your character. Like with my sign, Libra. It says Libra's can be charming, idealistic and peaceable, all traits that I have in my personality. It also says I can be gullible, indecisive and flirty, which are also true. Knowing these things gives your character an addtional layer. It makes them more relatable.




Next time you plot out characters, dig a little deeper. Figure out their date of birth, find out their sign and see what traits make these characters who they are. You never know what you might find.

Tuesday, August 18, 2015

Ten Steps to an Emotionally Engaging Character

Literary agents pass on submissions for all sorts of reasons. For me, it usually comes down to the writing, more specifically, the characters themselves and how well I am able to connect with them. Having that emotional engagement with the characters makes me care what happens to them and keeps me turning pages.


The most common reason why I cannot connect with a protagonist is because the character does not seem “real” enough for me to relate to him or her. In other words, the character must have a certain degree of complexity, and a deeper or more layered way of thinking and acting to comes off as authentic and unique. Otherwise, the character will appear shallow and one-dimensional. He or she will seem more like a stock character pulled out of a TV show or movie, or worse, a caricature of a person.


The key to creating a more complex and convincing protagonist is to understand your character on an intimate level. Below is a 10-step writing exercise designed to help you dive deeper into the inner workings of your character’s personality:

Step 1: Create a tagline for the character. This is similar to what you would see in a personal profile of someone on social media. Just like a social media profile, it should be relatively short, reveal a main aspect of the character and her interests or what she desires most or aspires to become. 

Step 2: Write up a personal history of the character. Start with the basics and leave room to add more as more about the character comes to you. A good place to begin is with the character’s family history, including cultural and social roots. Then expand further. Are there any family issues or secrets? What about significant or pivotal childhood events? Think of what events or relationships might’ve influenced or shaped the character’s decisions in the story – perhaps an alcoholic or abusive parent, or a sibling that drowned or was murdered.


Step 3: Identify in general terms, your character’s type. Think in categories, archetypes, and even in stereotypes. Commercial fiction will often require a character to fill a role that fits a category – like the nosy mother-in-law or the funny, buddy sidekick or the recovering alcoholic detective. Once you have a generalized aspect of your character, make him or her more interesting and unique by adding traits and behaviors that might emphasize, stretch, bend or go against type.

Step 4: Describe the character’s morality make-up. Is the character principled or is he untrustworthy?  Is she thoughtful and logical about her decisions or impulsive and irrational? Is he empathetic and kind or indifferent and cruel to others? Is he honest to fault? Or perhaps ruthless and ambitious? Or maybe ethical and heroic?



Step 5: List what your character’s dreams and aspirations are.  Include not just career or life goals. Also include personal goals. For example, you might have a character who wants to stop a terrorist plot but he also wants to some day make amends with his estranged brother.

Step 6: Describe difficulties in the character’s life. What inner demons are making him or her struggle to get though the day, or deal with others? These difficulties might manifest themselves in the character’s life by making him drink too much or make her unable to commit to a relationship or contribute to his depression.  

Step 7: List the strengths and weaknesses of the character. What skills does she utilize the best or what traits help her the most?  What are the weaknesses or deficiencies in skills or behavior that come out most often or at the worst moments?


Step 8:Write about an incident, relationship or anything from the character’s upbringing that either directly or indirectly creates a behavioral or personality issue for him or her now, such as a debilitating shyness as a result of being shamed or dismissed as a child, or an underlying anger because of being abandoned by a father.

Step 9: Identify the cultural or environmental elements that might influence your character.  What ethnic or cultural traditions does he practice? What kind of sports does she play or watch? What television shows are on his DVR? Does she prefer to be in nature or the city? Is he conservative or liberal? Does she go to ballets and symphonies or rock concerts and baseball games? 

  
Step 10:After you have completed the nine steps, take stock of what you’ve written down. You should now have a better, more nuanced vision of your character. Continue to add to what you have written about your character, as you work on your story. Your notes will help you make decisions in what your character will do or think when situations arise in the story, identify the character’s personal stakes and bring out your character’s arc.


By the end of this exercise, you will know your character on a more meaningful level.  He will have a broader range of actions and reactions, because you will have a better understanding of his beliefs and morality, and his personality flaws and strengths. Your character will have a compelling inner life with tangible fears and real aspirations. He’ll have interesting quirks and eccentricities. Most of all, you’ll have a more emotionally engaging story that will keep readers invested in seeing your character’s journey to the end.


Friday, March 20, 2015

Searching For Mr. Right


I had lunch with my stepdaughter this week and listened to her stories about the dating world.  It's always interesting, and even sometimes scary, to hear about the people she's meeting. I've tried to drill it into all of my girls' heads that the dating period is the "honeymoon" phase. It's not going to get any better. People will be on their Very Best Behavior while dating. 

The jerk that went to the Singles Party and acted like he didn't see her? That guy is a Loser. He's never going to turn into a Prince Charming. 

But the sweet guy that spent the evening talking to your lonely grandpa? He's a keeper.

How does this apply to writing?

Photo by Ian Muttoo

FIRST IMPRESSIONS

When dating, you meet someone for the first time and make many decisions based on first impressions. Walking into a book store and choosing a book is a little like dating. You pick up a book and study the cover. You like? It's passed the first test. Now you flip it over and read the back jacket. The equivalent of having a drink. Small spark? You open the book to check out the first page. 


The first line has set the stage nicely. If the character is interesting, maybe you read a little more. But then you hit a snag. 

"I can't get a hold of Bob." A childish whine snuck into her voice. She coughed to cover it up. Why did she always regress when she spoke to her older sister?   

Nope. I’m not reading about some whiner for 350 pages. Your protagonist doesn’t have to necessarily be likable. Lisabeth Sandler isn’t likable. But she is compelling. 


BLANK vs STRONG

The call for strong female protagonists is stressed at writers conferences and all over twitter on the #MSWL. To me, this means a character like Taylor Stevens’ Vanessa Michael Munroe or Stieg Larson’s Lisabeth Sandler. While I love these books, my MC is not anything like . 

In reality, the "strong character" means a character with agency. The character must lead the story, rather than react to what happens to her.  Readers are interested in watching her figure things out. If she makes a poor choice that’s okay. It's still interesting. 

Lisabeth Sandler from
THE GIRL WITH THE DRAGON TATTOO

The blank character is another option. This character can still have some interesting attributes, and still must have agency, but he or she is just average enough for the reader to identify with and imagine being that character. Harry Potter is a prime example of a blank character. Keep in mind, the blank character is not to be confused with a flat character (one personality trait, i.e. all good, or all bad).

Harry Potter

CONSISTENT

Your characters must be consistent to themselves. You, the author, can make your character do something he might not want ti do--much like a strict teacher can make a bully apologize. But everyone knows the bully is not sincere. Just like the readers know your character isn't either.

BECHDALE TEST

The Bechdale Test originated as a way to measure the diversity of films in the 1985 comic strip “Dykes to Watch Out For,” and it’s still a way to build a more realistic female character. It has three criteria: 




*********************************************************************************

I told my stepdaughter I was going to write a blog post comparing fictional characters to dating. Her reply was that it’s not comparable. She also gave me a funny look and asked if all writers are so mathematically oriented in character building. 

After researching for this post, I realize she’s right. Dating, to some degree, is looking for Mr. Right. Reading is entertainment. But you have to be engaged enough to spend ten to twenty hours with a character AND be compelled to spending that time inside a characters head. 

In closure, I give you my notes and my formula. Your character:
  1. Must have agency
  2. Must be consistent
  3. Must have inner conflict applied to external situation
  4. Interior narrative cannot be whiney
  5. Female characters must pass the Bechdal test


Please let me know your answer to the equation in the comments below.
~Charlotte Levine-Gruber