Take My Advice

Struggling to write this one sums up my writing efforts during the past few weeks.  Inspired by fellow Relentless Writer, Janice M. Wilson's post:  NEW SHIRT, NEW SHOES, NEW STORY, I dusted off one of the old stories and tried to get it going again.

In trying to relight the fire of the story, I also decided to "take my writing seriously" and do things like read Stephen King's On Writing and do an outline.  Since I'm trying to write a mystery, my thought process was based on that King ethic that if I'm going to have something happen later, I sure as heck better set it up at the beginning of the story.  I also did the whole "kill your darlings" thing to streamline certain relationships and iron out timeline issues I've struggled with through the whole story.

And let me just put this on the record:  THIS IS THE MOST FRUSTRATING THING I'VE EVER DONE!

I want to burn the whole thing like love letters in a fire filled barrel on Valentine's Day.  Since it takes place in a small community of New Jersey McMansions (thus far, last night I wondered what would happen if I moved it to Seattle), I want to burn all the houses down and collect the insurance money.  The latter is what someone did to get his footing in real estate, but I guess you can witness that whenever this story gets out of my damn head.  I even forgot I had that part set up in my head as something to use.  Hence why I'm trying to outline.

Now that the embers of my frustration are cooling, I can say that I am in love with this story again, as I am with my other story.  I unearthed a couple things that became my darlings and got rid of a lot of stuff I just had no interest in and didn't seem like it would payoff for the audience.

But now to set some deadlines.

And how's your writing going in 2015?

Want More Creative Energy? Pace Yourself

Writing a novel is a game of endurance, and every writer must find their own pace. I learned this the hard way. I’m currently working on my third novel, the second in a series. Yes, you heard me right: my third novel is the second in the series. That’s because my first attempt at a novel needs a complete rewrite. Currently it’s occupying space on my hard drive until I develop the courage to tackle it.


"So, my old foe, we meet on the battlefield once again."

That first novel taught me something huge and valuable: never underestimate the power of a creative endeavor.

Creating something of value—whether a novel, painting, screenplay, piece of music, or the life of a child—demands reverence and care. Creative energy comes from the Creator, a being whose image we bear in our frail and broken bodies. It is a power…a force, both spiritual and emotional. It is life and love and pain. We can only handle small pieces of this power, and yet we crave it in massive doses. That’s why pacing ourselves is so important: we want the whole thing but can only digest a few bites at a time.

Some people—the marathon writers—work on their novels every day throughout the year. Good for them. I learned that I need to write in blocks of time (usually one to four months) and then take a couple months off to recuperate and brainstorm. You know, take a breather. Stop and smell the roses. And all those other forbidden clichés.

 

But pacing is more than knowing when to rest. There also comes a time for getting down to business. BICHOK: Butt in chair, hands on keyboard. This is when pacing becomes extremely important because this is the point at which creative power becomes the most intense. Writers often call this part of the process “the writing cave,” because it is deep and dark and consuming. It is also necessary for anyone who wants to finish a novel.

During these stretches of focused writing—months of concentrated plotting and words and dialogue—I learned that I can’t skimp on the basics.

What are the basics? They’re probably different for everyone. For me, I stock my writer’s cave with regular sleep, strong coffee (daily), red wine (occasionally), good friends (as much as possible), and time with family (daily).

For hardcore writing months, I also carry around at least three books in my backpack. Yes, actual books made with paper and ink. I don’t even have to worry about recharging the batteries. When I get discouraged—or feel like nobody else on earth has ever experienced the angst and sheer misery of writing a novel because obviously it is a special form of torture reserved for abnormal people like me who have an unhealthy obsession with words—then I pull out one of these books and read until I feel sane again.

1. Stephen King, ON WRITING. Love this book. The guy knows how to write, how to make a career out of it, and how to enjoy every moment. Good stuff.

 

 

2. Anne Lamott, BIRD BY BIRD. Anne Lamott has a true gift for expressing deep truth in relatable ways. My copy of Bird by Bird is crinkled and warped because I accidentally dropped it into the bathtub during a long bubble bath, and Lamott writes in such a way that makes me think she'd be okay with that.

 

3. Steven Pressfield, THE WAR OF ART. A friend lent this to me when I was writing my second novel (the first in the series). I was so impressed that I immediately bought my own copy and refer to it when I need a quick burst of motivation.

There are lots of terrific books for writers, but these are my tattered and torn titles that I come back to again and again when I need to focus that creative energy.

As a disclaimer, I still crash and burn sometimes. But pacing myself keeps that kind of craziness to a minimum. (For the most part.)

Now your turn. What works for you? Any favorite tricks for harnessing creative energy in your writing?